Taught by renowned trumpet player
Chris Gekker
The Hindemith Sonata is among the most revered 20th-century works for the trumpet. It's approachable for even a young player, but is rich in layers of storytelling and nuance. Chris Gekker takes us on a guided tour of this composition, drawing from decades of insight performing and teaching this work.
I. Mit Kraft
Chris begins with a history of the piece, exploring why it's a fairly basic composition with challenging metabolic demands. He shares insights into the piece he gleamed from Ed Treutel, Juilliard educator who discussed this piece personally with Hindemith. Chris discusses tempo, intervals, the relationship between trumpet and piano, and much more.
II. Mäßig bewegt
This second movement, what Chris dubs the "metronome movement," creates a stark contrast with the first. He discusses why this movement is so full of baroque references, where the humor can be found, and why the last 5/4 bar should be alla breve.
III. Trauermusik
The role of the trumpet here is to call a congregation together during a funeral. Chris discusses how we can tell this story, what dynamics are appropriate, and what tempo is best for the ending chorale "All Men Must Die."
Click here to download the course workbook PDF and see the full syllabus →Chris Gekker has done everything a trumpet player can do – from playing Guest Principal with the New York Philharmonic to lead trumpet in the Count Basie band to playing with the American Brass Quintet for eighteen years – and everything in between.
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